renovation

This Historic Preservation Month, Help Memorial Hall "Shine On!"

This Historic Preservation Month, help Memorial Hall “shine on” with a fresh, clean façade for its tenth anniversary post-renovation!  Our goal is $15,000 to support a specialty chemical pressure wash of the sandstone and granite comprising the historic venue’s remarkable front entrance.

"Shine On!” is the latest stage in Memorial Hall’s $1.5 million capital campaign, a collaboration of the Cincinnati Memorial Hall Society, 3CDC, and Hamilton County.  To date, $1.1 million has been raised from individual giving, private foundations, and the building’s owner, Hamilton County.  Those funds have been used to start or complete critical preservation efforts, including:

Roof Replacement ✔️
Skyward-Facing Masonry Repairs ✔️
Copper Box Gutter Replacement ✔️
Rewiring of Proscenium Arches ✔️
Resurfacing Wood Floors ✔️
Restoration of Historic Wood Doors – In process
Restoration of Historic Wood Windows – In process
Interior Plaster Repair & Decorative Painting – In process

Please consider a donation in any amount to help Memorial Hall Shine On!  Even a small gift will go a long way toward ensuring that our treasured venue looks as fantastic as the day it opened nearly 120 years ago.

Donations to non-profit Memorial Hall are fully tax-deductible.

To make a contribution:

Online:  CLICK HERE and make a donation via credit card
Phone:  Call the Memorial Hall box office at (513) 977-8838 (Tuesday through Friday, 1-6pm)
Mail:  Mail a check payable to “Cincinnati Memorial Hall Society” with memo "Shine On!" to 1225 Elm Street, Cincinnati, OH 45202

Meet Bill Thompson: A Voice Behind the Longworth-Anderson Series 

Behind every unforgettable Longworth-Anderson Series (LAS) evening at Memorial Hall, there are people whose passion for music makes it all possible—and Bill Thompson is certainly one of them. A Cincinnati Memorial Hall Society Advisory Board member, LAS Advisory Committee member, and concert sponsor, Bill has been part of our story for several years. Whether he’s championing artists, hosting Blue Snakes & Banjos on WAIF, or conducting thoughtful interviews with musicians who take our stage, Bill brings a deep love of music—and a genuine curiosity—to everything he does.

We’re excited to provide a glimpse into the musical influences, memories, and moments that have shaped his connection to LAS and Memorial Hall.

What has been most meaningful to you about watching LAS grow over the years?

The return of people who could fill a much larger space:  Rhiannon Giddens, Marty Stuart, and Mavis Staples.  Rhiannon came here last year from Nashville’s Ryman Auditorium, where she had sold out the 2,362-seat room (for comparison, the Taft Theatre holds 2,261).  The series and the venue have built a reputation among artists who aren’t interested in squeezing every dollar from the audience.

What do you love most about Memorial Hall, both as a historic building and as a place for live music?

I appreciate the building as an architectural gem.  However, if it didn’t have the Annie W. and Elizabeth M. Anderson Theater, I would have visited it once after the renovation was complete.  I return again and again for the music.  The intimate theater is the best listening room in the Tri-State.

What’s the first concert you ever attended?

I’m an old man, but I have been going to concerts since I was in junior high school in Piqua, OH.  I can’t swear that this was the first show I saw, but my dad drove me to Hara Arena in Dayton to see the Rolling Stones.  Here’s the AI description:  “The band played a notoriously poorly attended concert on November 13, 1964, during their second U.S. tour.  Only 300 to 650 fans attended the 6,000-seat venue, resulting in a short, roughly 20-minute set.  The show was criticized by locals and considered a commercial flop.”  I was not one of the locals who criticized the event; I was mesmerized.  It might have only been 20 minutes, but it seemed like hours to me.  I was already music mad, but this convinced me I was onto something special.

What’s a song that instantly takes you back to childhood?

There are many because AM radio was filled with great music in the mid-1960s—Motown, British Invasion, the Beach Boys, one-hit wonders, etc.—but when I hear “Satisfaction” by the Rolling Stones, I head straight to the Rec, a teen club in Troy, about 8 miles south of Piqua.  They had after-school events and dances on weekend evenings, so whenever I could catch a ride with a friend’s older sibling, I was there.  In retrospect, as much as I liked looking at the local girls, it’s the music that I remember most.

What are you listening to right now?

I co-host Blue Snakes & Banjos on WAIF-FM 88.3 with Bob Hust (also a Founder of LAS).  We have been on the air since 2014.  I spend my time trying to keep up with new music from artists I like and searching for new artists that sound intriguing.  I subscribe to multiple newsletters for tips about people I should give a listen to.  It would be silly to say who I’m listening to now, but I’ll tell you who I have seen and who I have tickets for this year:  Amythyst Kiah; Vicki Peterson and John Cowsill of the Continental Drifters; Jason Isbell and the 400 Unit; Silkroad Ensemble with Rhiannon Giddens; the Montvales; Madison Cunningham; Bob Dylan; St. Paul & the Broken Bones; Shawn Mullins; Paul Thorn and Scott Miller; Bruce Springsteen; the local honeys; Paul Simon; Daniel Donato and Marty Stuart; Drivin N Cryin; Wilco; Graham Nash; Watchhouse; Yacht Rock Revue; and Duane Betts.  I have my eye on some others as well.

If your life had a soundtrack, what’s one song that would have to be on it?

“Gimme Shelter” by the Rolling Stones.  The Let It Bleed album came out in the fall of 1969, two months into my freshman year of college, which was the most formative time in my life.

How has music impacted your life?

I was watching the Ed Sullivan Show on February 9, 1964, when the Beatles played for the first time.  After it was finished, I went into the bathroom and combed what little bit of hair I had into bangs for school on Monday.  When I arrived, I wasn’t the only boy in the seventh grade who did the same thing that day.  My friends and I had always enjoyed music, but after that, it became all-encompassing.  My only regret is that I didn’t have the discipline to learn to play an instrument.  But I could not have chosen a more rewarding obsession.

Memorial Hall Voted "Best Concert Venue" by Cincinnati Magazine!

We're thrilled to announce that Hamilton County Memorial Hall, “home” of the Longworth-Anderson Series, was recently voted our region's "Best Concert Venue" by Cincinnati Magazine readers.

To be voted as such in a city bursting with excellent venues is an incredible honor.  There's also some poetry in receiving this recognition as we prepare to celebrate the building's 10th anniversary post-renovation.

Thanks to the collaboration of Cincinnati Memorial Hall Society (CMHS—our nonprofit helping to guide and preserve Memorial Hall since 2004), Cincinnati Center City Development Corporation (3CDC—operations and programs manager), and Hamilton County (Memorial Hall's owner), this historic building underwent an $11.2-million comprehensive renovation and modernization in 2015-16, resulting in the first-class performance and event space it is today.  Over the past three years, we partnered on a building assessment study and capital campaign to raise an additional $1.1 million from the Friends of Memorial Hall, including $500,000 from Hamilton County, for high-priority projects including:  roof system replacement; proscenium lighting upgrades; restoration of historic doors, windows, and decorative painting; and safety improvements.

Preservation of this 1908 Beaux Arts treasure is ongoing, and each of Memorial Hall's partners (CMHS, 3CDC, and Hamilton County) plays a pivotal role in its continued success. CMHS’s leadership in advocacy, fundraising, and our popular Longworth-Anderson Series undoubtedly contributed to this award.

As patrons and supporters of Memorial Hall, this recognition belongs to YOU, our community, as much as it does to us.  Thank you for your investment in the venue we all love, and for trusting our team to protect this "perfect gem" of a theater for generations to come.

Melvin Grier and Jim Wellinghoff Named Trustees Emeriti of Cincinnati Memorial Hall Society

CMHS & LAS Chair Maggie Brennan with Trustees Emeriti Jim Wellinghoff & Melvin Grier and Cori Wolff, Executive Director of the CMHS and LAS

Memorial Hall was built to honor service and strengthen community—so it’s especially fitting to recognize two individuals whose dedication has helped secure its future. After more than a decade of steady guidance and hands-on leadership, Melvin Grier and Jim Wellinghoff are transitioning from active board service to the honorary advisory role of Trustee Emeritus.

Their contributions helped shape Cincinnati Memorial Hall Society (CMHS)’s long-term direction and strengthen our foundation of preservation, programming, and partnerships today.

Jim Wellinghoff

Jim’s connection to Memorial Hall is deeply aligned with the building’s purpose. A Vietnam War veteran, he has brought a perspective rooted in service, responsibility, and commitment.

Throughout his tenure with CMHS, Jim offered strategic guidance informed by decades of civic involvement, including his presidency of the Mercantile Library. Within CMHS, he served as Treasurer and drew on his background in investment management to support financial stewardship and long-range planning.

A defining part of Jim’s legacy is preservation. He helped shape the vision behind Memorial Hall’s Second Century Fund, ensuring long-term care of this treasured venue for generations to come. He contributed to major preservation milestones, including advancing the $1-million Annie W. and Elizabeth M. Anderson Foundation gift tied to the 2015 renovation and naming of the Longworth Anderson Stage. Jim also helped create the philanthropic backbone of the Longworth-Anderson Series, leveraging key relationships such as The George and Margaret McLane Foundation annual matching grant.

Melvin Grier

Melvin has served CMHS with a distinctive Cincinnati lens—one rooted in a career dedicated to documenting the city. A U.S. Air Force veteran, his experience naturally aligns with Memorial Hall’s mission and history.

Over nearly ten years on the board, Melvin became a key voice in shaping CMHS as both a preservation organization and cultural institution. A Greater Cincinnati Journalism Hall of Fame inductee and respected photojournalist, he offered invaluable insight into how Memorial Hall communicates, builds trust, and represents itself to the broader community. His nonprofit work with arts organizations such as FotoFocus helped connect CMHS to Cincinnati’s creative ecosystem.

Melvin’s impact is especially visible in programming. His advocacy helped sustain a vibrant jazz thread within the Longworth-Anderson Series, reflecting Cincinnati’s musical history while welcoming world-class artists. He also encouraged thoughtful board growth and leadership that better reflects the full diversity of our city.

Honoring the past, strengthening the future

Trustee Emeritus is a recognition of service that has meaningfully shaped an organization’s trajectory. We are grateful for Melvin Grier and Jim Wellinghoff—their leadership, their belief in Memorial Hall, and the lasting impact of their work.

Lighting Up Memorial Hall

In 2012, the Cincinnati Memorial Hall Society (CMHS) led the revitalization of Memorial Hall, resulting in its comprehensive renovation completed in 2016 by the Cincinnati Center City Development Corporation (3CDC), CMHS, and Hamilton County

Extensive improvements were made to increase audience and performer comfort, modernize amenities, and enhance performances. The renovation included new, larger restroom facilities, a new HVAC system, new and more comfortable seating, the addition of a contemporary catering kitchen, and backstage crossover space for performers.

But there’s always more to be done to preserve this gem of a theater! Although $11.2 million was spent on the renovation, it was not enough to address every aspect of the building. When a structure is more than 110 years old, maintenance must be an ongoing process.

You may have noticed that the light bulbs on the proscenium arch above the stage and the beautiful Tiffany glass chandeliers have been increasingly going dark. Changing these bulbs is not as easy as it may look.

This is a complicated issue with many dimensions:

• Theatrical Tech and Bulbs – Because the theater uses sophisticated technology to dim all of the lights in the theater, it requires a special kind of bulb. Unfortunately, the bulbs that were specified when the renovation was completed have been discontinued. The company Memorial Hall uses for theatrical technology, ETC, has recommended a new combination of lighting dimming system and bulb to maintain high standards.

• Plaster and Sockets – The sockets and wiring inside the proscenium arches are largely the same wiring from 1908. Moreover, the shape of light bulbs was different when they were first installed. The socket depth and plaster rosettes (decorative rings) around each bulb were suited to an elongated bulb. Put simply, modern bulbs can’t reach the recessed obsolete sockets.

• Access to Chandeliers – When the building opened in 1908, a pulley system was used to lower the four Tiffany glass chandeliers to the floor for the light bulbs to be changed. That system disintegrated over time. When the building was renovated, floor-to-ceiling scaffolding was installed to give access to the chandeliers. Without the scaffold, no bulb-changing extension or lift is able to reach these bulbs.

In order to fully light up Memorial Hall:

1) The theater must replace the dimming system for the proscenium and house lighting.
2) Memorial Hall must buy new bulbs that will perform effectively with that system.
3) Scaffolding must be built to access the proscenium.
4) A plasterer must remove the rosettes to allow access to electrical components.
5) An electrician will then install contemporary wiring and light sockets with appropriate depth.
6) The plasterer will reinstall the rosettes.
7) A painter will touch up the areas around the rosettes.
8) A rigger will install a new pulley system to lower the front two chandeliers to the ground to allow them to be changed. An electrician will install a long “tail” of cable to allow the chandeliers to travel.

It is projected that this two-week project will cost approximately $60,000 with the following budget:

Proscenium Arches
New Dimming System: $10,000
New Bulbs: $4,500
Scaffolding: $6,800
Plaster Work: $13,500
Electrical Work: $20,000
Painter: $2,000

Chandeliers
Pulley System: $2,500
Electrical Work: $500

TOTAL: $59,800

Please consider a donation to help keep the proscenium Lights On at Memorial Hall! Even a small gift will go a long way toward ensuring that our treasured venue looks as fantastic as the day it opened nearly 120 years ago.

Donations to nonprofit Memorial Hall are also fully tax-deductible.

Click here to donate online, call the Memorial Hall box office at (513) 977-8838 (Tuesday – Friday, 1-6 p.m.), or mail a check payable to “Cincinnati Memorial Hall Society” to 1225 Elm Street, Cincinnati, OH 45202.

Cincinnati’s Memorial Hall—A Building with a Story

In 1908, The Grand Army of the Republic constructed Hamilton County Memorial Hall as a monument to veterans of the Spanish-American War and Civil War.

Designed by Samuel Hannaford & Sons (who had an extensive resume of designs in Cincinnati, including Music Hall, City Hall, several churches, and other prominent buildings), the hall features marble staircases embellished with intricate wrought iron that lead to the 556-seat proscenium theater. This theater was originally conceived for speeches, but evolved into one of most intimate and acoustically superior venues in the region.

A local sculptor named Clement Barnhorn carved six figures above the exterior doors, each wearing a military uniform representing soldiers from the Revolutionary War to the Spanish-American War.

Memorial Hall also houses a special collection of artwork and artifacts of local civic and military history. More than 40 pieces are on display throughout the building, including the wreath that is said to have adorned Abraham Lincoln's casket when it passed through Columbus, OH. Beautiful murals and Tiffany chandeliers complement the historic theater, along with stenciled murals by Francis Pedretti.

After World War I, Disabled American Veterans was created at Memorial Hall during the organization’s first national caucus. The charity grew to encompass more than a million members with chapters all over the country.

Today, Memorial Hall is located in the heart of a revitalized arts district in Over-the-Rhine. Listed on the National Register of Historic Places in 1978, the venue overlooks Washington Park, and is neighbor to Music Hall, The Transept, the School for Creative and Performing Arts, and Cincinnati Shakespeare Company.

In 2016, a $11.2 million renovation was completed, a collaboration of the Cincinnati Memorial Hall Society (CMHS), the Cincinnati Center City Development Corporation (3CDC), and Hamilton County. The renovation allowed for the preservation of the building’s historic character. Additionally, extensive improvements were made to increase audience and performer comfort, modernize amenities, and enhance concerts. The renovations included new, larger restroom facilities, a new HVAC system to accommodate year-round events, new seating, the addition of a contemporary catering kitchen, and backstage crossover space for performers. Memorial Hall is now managed by 3CDC, hosting more than 250 events annually.

When the theater reopened, it was named the Annie W. and Elizabeth M. Anderson Theater, in recognition of the prominence of the Anderson and Longworth families in Cincinnati’s history, and the Anderson sisters’ generous contribution to the renovation. Annie and Elizabeth Anderson were sixth-generation Cincinnatians, great-granddaughters of Nicholas Longworth (1783-1863) and Lt. Colonel Richard Clough Anderson (1750-1826).

Brevet Major General Nicholas Longworth Anderson (1838-1892) was Anne and Elizabeth’s great-uncle, and an honored Civil War veteran memorialized by a bronze plaque placed in Memorial Hall following the building’s construction.

With the completion of the renovation, the Longworth-Anderson Series was launched in early 2017 by CMHS. The series features Grammy Award-winning and other nationally recognized performers and bands, showcasing a variety of contemporary music genres including alternative, Americana, bluegrass, blues, country, folk, gospel, hip hop, jazz, pop, R&B, reggae, rock, soul, and world music. Events that are part of the series provide an entire evening of entertainment including pre-concert receptions with live local music, light bites, and beer & wine tastings from popular regional restaurants, craft beer brewers, and wine distributors.

—Scott Seward

Memorial Hall and the Longworth-Anderson Series—Creating Connection

The essence of live music performance is the potent connection between the musicians and their audience.

Cincinnati’s Memorial Hall is one of the most intimate venues in the region to foster this connection. But don’t just take our word—listen to what Longworth-Anderson Series (LAS) concert attendees have to say:

  • “Memorial Hall is the best venue in Cincinnati! I think it inspires musicians to play their best.”

  • “The LAS concerts are the most fun I’ve ever had at a concert. The reception is great because you get to talk with many other fans before the show. The concert venue is so intimate - it’s almost like the show is happening in your living room!”

  • “It is a showplace of exquisite beauty. A venue from older times when a theater was built with acoustics in mind, but also grandeur, a theatrical space that takes your breath away when you first walk through those doors. It makes one stop dead in his tracks to just absorb the beauty and history that permeates throughout the entire building. You can almost feel the remnants of wonderful past performances.”

  • “The intimacy of Memorial Hall draws me in close to the artists.”

  • “I’m a Cincinnati native, but this was my first time at Memorial Hall, and it was the most stunning venue. Loved the intimate feel of the concert.”

  • “The venue was just AMAZING. I've seen a lot of shows, in a lot of venues, but I felt immediately that this place was special.”

The word “intimate” is dominant in most reviews of the Memorial Hall experience—which might not have been a surprise to Samuel Hannaford & Sons, who designed the building in 1908 as a memorial to veterans of the Civil War and Spanish-American War. The Hall was originally a meeting place for veterans in the early 20th Century, and a welcome location for community events. The Cincinnati Preservation Association led the first renovation of the Hall in 1990-1992 with a more comprehensive renovation completed in 2016 by the Cincinnati Memorial Hall Society (CMHS), 3CDC, and Hamilton County.

That latter restoration placed Memorial Hall as one of the catalysts of the revitalized arts district surrounding Washington Park. The next year saw CMHS’s inception of the LAS, which presents Grammy Award-winning and other nationally recognized performers in a variety of contemporary music genres.

Perhaps Samuel Hannaford & Sons didn’t set out to create the most personal and welcoming concert hall in the Tri-State area, but nearly 120 years later, Cincinnati music lovers are grateful.

—Scott Seward

Join the Friends of Memorial Hall!

Built in 1908 by the Grand Army of the Republic, the Hamilton County Memorial Hall building proudly stands in the heart of the revitalized arts district of Over-the-Rhine.  Listed on the National Register of Historic Places in 1978, recent renovations to the building, which were completed in 2015-16, have allowed for the preservation of its historic character and renewed utilization with more than 250 performances, concerts, lectures, meetings, weddings, and other events held there annually.

Although renovations were completed in 2016, preservation of the Hall is ongoing so it does not fall into disuse as it did in the second half of the last century. Thanks to our partners and donors, we are able to keep the doors open and lights on in this ”perfect gem” of a theater.

Today, with the support of the Cincinnati Memorial Hall Society and 3CDC, Memorial Hall is proud to present the “Friends of Memorial Hall” support group. It is through this initiative that we will continue our mission of preserving and celebrating the lasting history made within the walls of the Hall.

Become a Friend today at the $50+ level and 100% of your contribution will support historic preservation efforts at Memorial Hall. Through the support of our Friends, together we will protect this place of arts, culture, and community for years to come.

Memorial Hall is a collaboration of the Cincinnati Memorial Hall Society, 3CDC, and Hamilton County.