Memorial Hall and Wm. H. Lytle Post No. 47, Grand Army of the Republic

1909 Memorial Service at Memorial Hall: Wm. H. Lytle Post No. 47, G.A.R.
On Sunday, December 26, 1909, the Wm. H. Lytle Post No. 47 of the Grand Army of the Republic (G.A.R.) held its annual memorial service at the newly completed Memorial Hall auditorium in Cincinnati. The preserved program from this event offers valuable insight into how Civil War veterans continued to honor their fallen comrades well into the 20th century.

The Grand Army of the Republic and Post 47
The G.A.R. was a national fraternal organization composed of Union veterans of the American Civil War. Founded in 1866, it played a significant role in shaping post-war public memory, advocating for veterans’ rights, and establishing Memorial Day as a national holiday. Posts were organized across the country by state departments. Post No. 47, based in Cincinnati, was one of several in the area and named in honor of General William Haines Lytle.

About General William H. Lytle
William Haines Lytle (1826–1863) was a Cincinnati-born lawyer, state legislator, and Union brigadier general. He was also a well-known poet, remembered especially for his work “Antony and Cleopatra.” Lytle died in battle at Chickamauga, and his funeral in Cincinnati became a city-wide event. Thousands gathered as his riderless horse, Fallaballaugh, led the procession—boots reversed in the stirrups, a time-honored military symbol of loss. He was laid to rest at Spring Grove Cemetery, and his legacy endures in Cincinnati landmarks like Lytle Park and Memorial Hall.

Memorial Hall and Its Purpose
Memorial Hall was constructed between 1908 and 1909 as a dedicated space to honor veterans of the Civil War and to host civic and commemorative events. Wm. H. Lytle Post No. 47 was among the organizations that regularly held meetings and ceremonies there.

Overview of the 1909 Program
The printed memorial program includes several key sections:

• Roll of Deceased Members — The front page lists members of Post 47 who died in 1909, along with their Civil War units, dates of death, and ages. These records are particularly useful for researchers and genealogists, offering details such as “Co. D, 28th O.V.I.” (Company D, 28th Ohio Volunteer Infantry).

• Order of Service — The memorial program included a structured sequence of musical and spoken elements, such as:

  • Patriotic hymns including “America”

  • Recitations including “The Battle Hymn of the Republic”

  • Vocal and piano performances

  • A memorial address by Mr. Harley V. Speelman

  • Bugle taps by Mr. Jacob Hoos

  • Participation by students from the 27th District School

• Post Officers for 1909 — The program also lists the officers of Post 47, including:

  • Commander John Brinkman

  • Senior Vice Commander Fred Rullkoetter

  • Other officers such as the adjutant, chaplain, and quartermaster

The G.A.R. insignia—a five-pointed star with Union imagery—is featured prominently on the program. The piano used for the event was provided by the Wm. H. Lytle Post No. 47 , then located at 222–224 West Fourth Street in Cincinnati.

Historical Significance
This document provides a detailed example of how G.A.R. posts commemorated their members and maintained civic visibility. Organizations like Post 47 often participated in public observances, parades, and political events tied to Union veteran identity. Archival references also note that the Wm. H. Lytle Post had an active drum corps in the 1890s.

These materials are valuable for historians studying post-war veteran culture, public memory, and community organization in the early 20th century. They also serve as a resource for those researching family history or the activities of specific Civil War units.

—Kyle Fugate

Special thanks to Colonel Todd Mayer of John R. Little Post Inc. VFW No. 3186 for providing these historical images

Celebrating the Life and Legacy of Linda Heldman Greenberg

Honorary Co-Chairs of the Longworth-Anderson Series: Linda Heldman Greenberg, Jerry Kathman, and Amy Goodwin

The Cincinnati Memorial Hall Society (CMHS) mourns the loss of Linda Heldman Greenberg, a cherished friend, passionate arts advocate, and foundational force behind the creation of our Longworth-Anderson Series (LAS). Linda passed away peacefully on June 18, 2025, at the age of 71, leaving behind a legacy of service, vision, and generosity that will long be remembered.

A native Cincinnatian raised in Bond Hill and a longtime resident of Hyde Park, Linda brought grace, warmth, and insight to every role she embraced—whether as a mother, grandmother, counselor, volunteer, or arts leader. After earning her master’s degree in mental health counseling from Wright State University, she worked as a behavioral specialist at Jewish Hospital, where she was known for her empathy and dedication to others. Her philanthropic impact reached across the city, supporting institutions such as Playhouse in the Park, the Cincinnati Ballet, and the Jewish Federation of Cincinnati.

In 2017, Linda joined the CMHS board of trustees, serving with distinction, including a term as vice president. But her involvement began well before then. Linda was instrumental in the founding and early growth of the LAS. Her deep love of music—especially Americana, folk, bluegrass, and country—made her a trusted voice in artist selection and series direction.

She also helped form the LAS’s essential support group, the “Founders of the Longworth-Anderson Series,” serving as one of its honorary co-chairs for eight seasons. Her leadership helped shape not only the music we present, but the community we’ve built.

“Memorial Hall, the CMHS, and the LAS all benefited greatly from Linda’s valuable advice, service, and generosity,” said Bill Baumann, Chair Emeritus of the CMHS and Chair of the LAS. “It was a distinct pleasure to work alongside her for the betterment of these organizations.”

Linda will be remembered not only for what she gave, but for how she gave it: with heart, elegance, and joy.

—Kyle Fugate

Mavis Staples Returns to Memorial Hall: A Living Legend Reconnects with Cincinnati on July 22

Photograph by Myriam Santos

On July 22, 2025, the Longworth-Anderson Series at Memorial Hall will welcome back one of America’s most celebrated musical icons: Mavis Staples. The Grammy-winning vocalist, Civil Rights icon, and Rock & Roll Hall of Fame inductee returns to Cincinnati for a legendary performance that promises to be both soul-stirring and unforgettable.

At 84, Staples continues to tour and record with a spirit that defies expectation. Her unmistakable voice—gritty, warm, and powerful—still carries the weight of a lifetime spent singing for justice, joy, and connection. From her early days with The Staple Singers to her critically acclaimed solo career, Staples has stood at the crossroads of gospel, soul, and protest music, giving voice to the struggles and hopes of multiple generations.

This is not her first time gracing the Memorial Hall stage. Staples last performed in Cincinnati as part of the Longworth-Anderson Series in April 2018.

Her return this summer is more than just an encore. It’s a cultural reminder for Cincinnati—a city with its own deep roots in Black musical tradition and activism. It’s also a continuation of the Longworth-Anderson Series’ mission to present artists whose work pushes boundaries and resonates far beyond the stage.

Staples’ influence is boundless. With hits like “I’ll Take You There,” “Respect Yourself,” and “Freedom Highway,” her music has long been a rallying cry for progress. In recent years, she has recorded with artists like Jeff Tweedy, Ben Harper, and Hozier, bringing her message and sound to new generations. While the world has changed dramatically since she first began performing in the 1950s, her commitment to truth, joy, and resistance through music has never wavered.

Her upcoming show at Memorial Hall offers Cincinnati audiences a rare opportunity to witness that legacy in real time. Her powerful message transcends generations, and continues to shape the future.

Whether you’re a lifelong fan or discovering her work for the first time, July 22 is your chance to hear a voice that helped shape American history—and still refuses to be silenced.

Join us for an unforgettable night with Mavis Staples—a voice of the past, the present, and the future! Tickets available now at www.memorialhallotr.com.

—Kyle Fugate

A Legacy of Passion and Purpose: Cheryl Coy Stamm's Journey with Memorial Hall

Before Cheryl had even seen a concert at Memorial Hall, before she had taken a seat in its historic theater, she felt something resonate deeply within her. “I was running a business incubator—Bad Girl Ventures—that hosted events in Memorial Hall,” she recalls. “I thought, ‘Oh my gosh, I could be a part of that.’ Although, it wasn’t even about the music at first. It was the building. The energy. The potential.”

That sense of potential quickly transformed into action.

FINDING A PLACE—AND A PURPOSE

Cheryl’s involvement with Memorial Hall began with a phone call out of the blue. “Bill Baumann reached out,” she says. “We kind of knew each other from the [Cincinnati] Art Museum. He was looking for new board members to step in for those retiring in 2012.”

At the time, she hadn’t even attended a concert at the venue. That changed with Rosanne Cash. “The acoustics were amazing. It was unbelievable.”

Still, her early focus remained squarely on the business side. “We brought in a strategic planner and honed in on our mission. It had to be formalized to succeed. That planning process helped deepen our relationship with 3CDC and led us to identify how to put the right people in the right roles.”

FALLING IN LOVE WITH THE HALL

When asked what made her fall in love with Memorial Hall, Cheryl lights up. “The intimacy of the theater was so beautiful. Even before it was remodeled, I remember going up the stairs and thinking—there really isn’t a bad seat in the house. That feeling never left.”

That emotional connection, coupled with her business acumen, fueled her years of dedicated service. But she’s quick to admit the programming didn’t always match her personal tastes.

“I’m a rocker,” she laughs. “I love heavy rock. American roots music? Not really my jam. I was honest about that from the start. I wasn’t going to attend all seven or eight concerts a year. But I could still promote Memorial Hall and its preservation. That was where I felt I could contribute most.”

PIVOTAL MOMENTS AND FORWARD MOMENTUM

Among the most impactful decisions during her tenure was the introduction of a strategic plan. “You have to formalize things to be successful,” she says. “That clarity helped us work better with 3CDC, align the board, and plan for the long-term health of the building and organization.”

Cheryl outlines a bold vision for Memorial Hall’s future, centered on three major phases:

1. Roof Restoration – Securing the physical structure of the building.

2. New CRM System – Investing in tools that support deeper engagement and data-driven growth.

3. Sustainable Endowment Planning – Building a fund for perpetuity that supports ongoing growth and artistic excellence.

And of course, more concerts. As the relationship grows with 3CDC, the vision to host more concerts, and in turn, reach a larger audience, will be the future.

ADVICE AND A CONTINUED LEGACY

“To this day, I’m still shocked when people say they’ve never heard of Memorial Hall or have never been inside. We need to keep getting the word out.”

Though she’s now officially a trustee emeritus, Cheryl remains deeply connected. “I look forward to mentoring. I still care about what’s going on at the Hall. I love the venue.”

She’s also continuing her work in the community—as President of the Board for the Cancer Vaccine Coalition and through her involvement with the Art Museum. “It’s time to give back,” she says simply. Thank you, Cheryl, and congratulations on being named Trustee Emeritus!

—Kyle Fugate