Memorial Hall and Wm. H. Lytle Post No. 47, Grand Army of the Republic

1909 Memorial Service at Memorial Hall: Wm. H. Lytle Post No. 47, G.A.R.
On Sunday, December 26, 1909, the Wm. H. Lytle Post No. 47 of the Grand Army of the Republic (G.A.R.) held its annual memorial service at the newly completed Memorial Hall auditorium in Cincinnati. The preserved program from this event offers valuable insight into how Civil War veterans continued to honor their fallen comrades well into the 20th century.

The Grand Army of the Republic and Post 47
The G.A.R. was a national fraternal organization composed of Union veterans of the American Civil War. Founded in 1866, it played a significant role in shaping post-war public memory, advocating for veterans’ rights, and establishing Memorial Day as a national holiday. Posts were organized across the country by state departments. Post No. 47, based in Cincinnati, was one of several in the area and named in honor of General William Haines Lytle.

About General William H. Lytle
William Haines Lytle (1826–1863) was a Cincinnati-born lawyer, state legislator, and Union brigadier general. He was also a well-known poet, remembered especially for his work “Antony and Cleopatra.” Lytle died in battle at Chickamauga, and his funeral in Cincinnati became a city-wide event. Thousands gathered as his riderless horse, Fallaballaugh, led the procession—boots reversed in the stirrups, a time-honored military symbol of loss. He was laid to rest at Spring Grove Cemetery, and his legacy endures in Cincinnati landmarks like Lytle Park and Memorial Hall.

Memorial Hall and Its Purpose
Memorial Hall was constructed between 1908 and 1909 as a dedicated space to honor veterans of the Civil War and to host civic and commemorative events. Wm. H. Lytle Post No. 47 was among the organizations that regularly held meetings and ceremonies there.

Overview of the 1909 Program
The printed memorial program includes several key sections:

• Roll of Deceased Members — The front page lists members of Post 47 who died in 1909, along with their Civil War units, dates of death, and ages. These records are particularly useful for researchers and genealogists, offering details such as “Co. D, 28th O.V.I.” (Company D, 28th Ohio Volunteer Infantry).

• Order of Service — The memorial program included a structured sequence of musical and spoken elements, such as:

  • Patriotic hymns including “America”

  • Recitations including “The Battle Hymn of the Republic”

  • Vocal and piano performances

  • A memorial address by Mr. Harley V. Speelman

  • Bugle taps by Mr. Jacob Hoos

  • Participation by students from the 27th District School

• Post Officers for 1909 — The program also lists the officers of Post 47, including:

  • Commander John Brinkman

  • Senior Vice Commander Fred Rullkoetter

  • Other officers such as the adjutant, chaplain, and quartermaster

The G.A.R. insignia—a five-pointed star with Union imagery—is featured prominently on the program. The piano used for the event was provided by the Wm. H. Lytle Post No. 47 , then located at 222–224 West Fourth Street in Cincinnati.

Historical Significance
This document provides a detailed example of how G.A.R. posts commemorated their members and maintained civic visibility. Organizations like Post 47 often participated in public observances, parades, and political events tied to Union veteran identity. Archival references also note that the Wm. H. Lytle Post had an active drum corps in the 1890s.

These materials are valuable for historians studying post-war veteran culture, public memory, and community organization in the early 20th century. They also serve as a resource for those researching family history or the activities of specific Civil War units.

—Kyle Fugate

Special thanks to Colonel Todd Mayer of John R. Little Post Inc. VFW No. 3186 for providing these historical images

Cincinnati’s Memorial Hall—A Building with a Story

In 1908, The Grand Army of the Republic constructed Hamilton County Memorial Hall as a monument to veterans of the Spanish-American War and Civil War.

Designed by Samuel Hannaford & Sons (who had an extensive resume of designs in Cincinnati, including Music Hall, City Hall, several churches, and other prominent buildings), the hall features marble staircases embellished with intricate wrought iron that lead to the 556-seat proscenium theater. This theater was originally conceived for speeches, but evolved into one of most intimate and acoustically superior venues in the region.

A local sculptor named Clement Barnhorn carved six figures above the exterior doors, each wearing a military uniform representing soldiers from the Revolutionary War to the Spanish-American War.

Memorial Hall also houses a special collection of artwork and artifacts of local civic and military history. More than 40 pieces are on display throughout the building, including the wreath that is said to have adorned Abraham Lincoln's casket when it passed through Columbus, OH. Beautiful murals and Tiffany chandeliers complement the historic theater, along with stenciled murals by Francis Pedretti.

After World War I, Disabled American Veterans was created at Memorial Hall during the organization’s first national caucus. The charity grew to encompass more than a million members with chapters all over the country.

Today, Memorial Hall is located in the heart of a revitalized arts district in Over-the-Rhine. Listed on the National Register of Historic Places in 1978, the venue overlooks Washington Park, and is neighbor to Music Hall, The Transept, the School for Creative and Performing Arts, and Cincinnati Shakespeare Company.

In 2016, a $11.2 million renovation was completed, a collaboration of the Cincinnati Memorial Hall Society (CMHS), the Cincinnati Center City Development Corporation (3CDC), and Hamilton County. The renovation allowed for the preservation of the building’s historic character. Additionally, extensive improvements were made to increase audience and performer comfort, modernize amenities, and enhance concerts. The renovations included new, larger restroom facilities, a new HVAC system to accommodate year-round events, new seating, the addition of a contemporary catering kitchen, and backstage crossover space for performers. Memorial Hall is now managed by 3CDC, hosting more than 250 events annually.

When the theater reopened, it was named the Annie W. and Elizabeth M. Anderson Theater, in recognition of the prominence of the Anderson and Longworth families in Cincinnati’s history, and the Anderson sisters’ generous contribution to the renovation. Annie and Elizabeth Anderson were sixth-generation Cincinnatians, great-granddaughters of Nicholas Longworth (1783-1863) and Lt. Colonel Richard Clough Anderson (1750-1826).

Brevet Major General Nicholas Longworth Anderson (1838-1892) was Anne and Elizabeth’s great-uncle, and an honored Civil War veteran memorialized by a bronze plaque placed in Memorial Hall following the building’s construction.

With the completion of the renovation, the Longworth-Anderson Series was launched in early 2017 by CMHS. The series features Grammy Award-winning and other nationally recognized performers and bands, showcasing a variety of contemporary music genres including alternative, Americana, bluegrass, blues, country, folk, gospel, hip hop, jazz, pop, R&B, reggae, rock, soul, and world music. Events that are part of the series provide an entire evening of entertainment including pre-concert receptions with live local music, light bites, and beer & wine tastings from popular regional restaurants, craft beer brewers, and wine distributors.

—Scott Seward

Memorial Hall and the Longworth-Anderson Series—Creating Connection

The essence of live music performance is the potent connection between the musicians and their audience.

Cincinnati’s Memorial Hall is one of the most intimate venues in the region to foster this connection. But don’t just take our word—listen to what Longworth-Anderson Series (LAS) concert attendees have to say:

• “Memorial Hall is the best venue in Cincinnati! I think it inspires musicians to play their best.”

• “The LAS concerts are the most fun I’ve ever had at a concert. The reception is great because you get to talk with many other fans before the show. The concert venue is so intimate - it’s almost like the show is happening in your living room!”

• “It is a showplace of exquisite beauty. A venue from older times when a theater was built with acoustics in mind, but also grandeur, a theatrical space that takes your breath away when you first walk through those doors. It makes one stop dead in his tracks to just absorb the beauty and history that permeates throughout the entire building. You can almost feel the remnants of wonderful past performances.”

• “The intimacy of Memorial Hall draws me in close to the artists.”

• “I’m a Cincinnati native, but this was my first time at Memorial Hall, and it was the most stunning venue. Loved the intimate feel of the concert.”

• “The venue was just AMAZING. I've seen a lot of shows, in a lot of venues, but I felt immediately that this place was special.”

The word “intimate” is dominant in most reviews of the Memorial Hall experience—which might not have been a surprise to Samuel Hannaford & Sons, who designed the building in 1908 as a memorial to veterans of the Civil War and Spanish-American War. The Hall was originally a meeting place for veterans in the early 20th Century, and a welcome location for community events. The Cincinnati Preservation Association led the first renovation of the Hall in 1990-1992 with a more comprehensive renovation completed in 2016 by the Cincinnati Memorial Hall Society (CMHS), 3CDC, and Hamilton County.

That latter restoration placed Memorial Hall as one of the catalysts of the revitalized arts district surrounding Washington Park. The next year saw CMHS’s inception of the LAS, which presents Grammy Award-winning and other nationally recognized performers in a variety of contemporary music genres.

Perhaps Samuel Hannaford & Sons didn’t set out to create the most personal and welcoming concert hall in the Tri-State area, but nearly 120 years later, Cincinnati music lovers are grateful.

—Scott Seward