advisory

Meet Bill Thompson: A Voice Behind the Longworth-Anderson Series 

Behind every unforgettable Longworth-Anderson Series (LAS) evening at Memorial Hall, there are people whose passion for music makes it all possible—and Bill Thompson is certainly one of them. A Cincinnati Memorial Hall Society Advisory Board member, LAS Advisory Committee member, and concert sponsor, Bill has been part of our story for several years. Whether he’s championing artists, hosting Blue Snakes & Banjos on WAIF, or conducting thoughtful interviews with musicians who take our stage, Bill brings a deep love of music—and a genuine curiosity—to everything he does.

We’re excited to provide a glimpse into the musical influences, memories, and moments that have shaped his connection to LAS and Memorial Hall.

What has been most meaningful to you about watching LAS grow over the years?

The return of people who could fill a much larger space:  Rhiannon Giddens, Marty Stuart, and Mavis Staples.  Rhiannon came here last year from Nashville’s Ryman Auditorium, where she had sold out the 2,362-seat room (for comparison, the Taft Theatre holds 2,261).  The series and the venue have built a reputation among artists who aren’t interested in squeezing every dollar from the audience.

What do you love most about Memorial Hall, both as a historic building and as a place for live music?

I appreciate the building as an architectural gem.  However, if it didn’t have the Annie W. and Elizabeth M. Anderson Theater, I would have visited it once after the renovation was complete.  I return again and again for the music.  The intimate theater is the best listening room in the Tri-State.

What’s the first concert you ever attended?

I’m an old man, but I have been going to concerts since I was in junior high school in Piqua, OH.  I can’t swear that this was the first show I saw, but my dad drove me to Hara Arena in Dayton to see the Rolling Stones.  Here’s the AI description:  “The band played a notoriously poorly attended concert on November 13, 1964, during their second U.S. tour.  Only 300 to 650 fans attended the 6,000-seat venue, resulting in a short, roughly 20-minute set.  The show was criticized by locals and considered a commercial flop.”  I was not one of the locals who criticized the event; I was mesmerized.  It might have only been 20 minutes, but it seemed like hours to me.  I was already music mad, but this convinced me I was onto something special.

What’s a song that instantly takes you back to childhood?

There are many because AM radio was filled with great music in the mid-1960s—Motown, British Invasion, the Beach Boys, one-hit wonders, etc.—but when I hear “Satisfaction” by the Rolling Stones, I head straight to the Rec, a teen club in Troy, about 8 miles south of Piqua.  They had after-school events and dances on weekend evenings, so whenever I could catch a ride with a friend’s older sibling, I was there.  In retrospect, as much as I liked looking at the local girls, it’s the music that I remember most.

What are you listening to right now?

I co-host Blue Snakes & Banjos on WAIF-FM 88.3 with Bob Hust (also a Founder of LAS).  We have been on the air since 2014.  I spend my time trying to keep up with new music from artists I like and searching for new artists that sound intriguing.  I subscribe to multiple newsletters for tips about people I should give a listen to.  It would be silly to say who I’m listening to now, but I’ll tell you who I have seen and who I have tickets for this year:  Amythyst Kiah; Vicki Peterson and John Cowsill of the Continental Drifters; Jason Isbell and the 400 Unit; Silkroad Ensemble with Rhiannon Giddens; the Montvales; Madison Cunningham; Bob Dylan; St. Paul & the Broken Bones; Shawn Mullins; Paul Thorn and Scott Miller; Bruce Springsteen; the local honeys; Paul Simon; Daniel Donato and Marty Stuart; Drivin N Cryin; Wilco; Graham Nash; Watchhouse; Yacht Rock Revue; and Duane Betts.  I have my eye on some others as well.

If your life had a soundtrack, what’s one song that would have to be on it?

“Gimme Shelter” by the Rolling Stones.  The Let It Bleed album came out in the fall of 1969, two months into my freshman year of college, which was the most formative time in my life.

How has music impacted your life?

I was watching the Ed Sullivan Show on February 9, 1964, when the Beatles played for the first time.  After it was finished, I went into the bathroom and combed what little bit of hair I had into bangs for school on Monday.  When I arrived, I wasn’t the only boy in the seventh grade who did the same thing that day.  My friends and I had always enjoyed music, but after that, it became all-encompassing.  My only regret is that I didn’t have the discipline to learn to play an instrument.  But I could not have chosen a more rewarding obsession.

Melvin Grier and Jim Wellinghoff Named Trustees Emeriti of Cincinnati Memorial Hall Society

CMHS & LAS Chair Maggie Brennan with Trustees Emeriti Jim Wellinghoff & Melvin Grier and Cori Wolff, Executive Director of the CMHS and LAS

Memorial Hall was built to honor service and strengthen community—so it’s especially fitting to recognize two individuals whose dedication has helped secure its future. After more than a decade of steady guidance and hands-on leadership, Melvin Grier and Jim Wellinghoff are transitioning from active board service to the honorary advisory role of Trustee Emeritus.

Their contributions helped shape Cincinnati Memorial Hall Society (CMHS)’s long-term direction and strengthen our foundation of preservation, programming, and partnerships today.

Jim Wellinghoff

Jim’s connection to Memorial Hall is deeply aligned with the building’s purpose. A Vietnam War veteran, he has brought a perspective rooted in service, responsibility, and commitment.

Throughout his tenure with CMHS, Jim offered strategic guidance informed by decades of civic involvement, including his presidency of the Mercantile Library. Within CMHS, he served as Treasurer and drew on his background in investment management to support financial stewardship and long-range planning.

A defining part of Jim’s legacy is preservation. He helped shape the vision behind Memorial Hall’s Second Century Fund, ensuring long-term care of this treasured venue for generations to come. He contributed to major preservation milestones, including advancing the $1-million Annie W. and Elizabeth M. Anderson Foundation gift tied to the 2015 renovation and naming of the Longworth Anderson Stage. Jim also helped create the philanthropic backbone of the Longworth-Anderson Series, leveraging key relationships such as The George and Margaret McLane Foundation annual matching grant.

Melvin Grier

Melvin has served CMHS with a distinctive Cincinnati lens—one rooted in a career dedicated to documenting the city. A U.S. Air Force veteran, his experience naturally aligns with Memorial Hall’s mission and history.

Over nearly ten years on the board, Melvin became a key voice in shaping CMHS as both a preservation organization and cultural institution. A Greater Cincinnati Journalism Hall of Fame inductee and respected photojournalist, he offered invaluable insight into how Memorial Hall communicates, builds trust, and represents itself to the broader community. His nonprofit work with arts organizations such as FotoFocus helped connect CMHS to Cincinnati’s creative ecosystem.

Melvin’s impact is especially visible in programming. His advocacy helped sustain a vibrant jazz thread within the Longworth-Anderson Series, reflecting Cincinnati’s musical history while welcoming world-class artists. He also encouraged thoughtful board growth and leadership that better reflects the full diversity of our city.

Honoring the past, strengthening the future

Trustee Emeritus is a recognition of service that has meaningfully shaped an organization’s trajectory. We are grateful for Melvin Grier and Jim Wellinghoff—their leadership, their belief in Memorial Hall, and the lasting impact of their work.

5 Questions with Cheryl Coy Stamm

Get to know Cheryl Coy Stamm, President of the Cincinnati Memorial Hall Society!  In addition to her leadership role with CMHS, Cheryl is Principal Owner at CCS Software Solution Consulting, LLC, Advisory Board Chair of Aviatra Accelerators, and a development committee member of the Cincinnati Art Museum.

We salute and thank Cheryl for five years of dedicated service on the CMHS Board of Trustees, where she is active on multiple committees in support of trustee nominations, marketing & communications, and development & fundraising efforts.

1. What's your first (or favorite) memory of live music?
This is going to date me, but… a Beatles concert when I was little, around 11 or 12 years old.  One of my friend’s parents took us, a group of girls, down to Cincinnati Gardens to see them.  I was screaming!   My parents loved to dance—they would have twist parties at their house and my dad would let me come down and twist in my pjs.  My parents loved music so much and they loved dancing.  I can picture it so vividly.

2. Which LAS concert did you enjoy most?That’s tough… it’s a toss-up between Rosanne Cash and Pink Martini.

3. What do you love about Memorial Hall?
I love the theater in and of itself—the intimacy—it’s so beautiful and makes for a great live music experience. 

4. What’s your go-to karaoke song?
Nobody can outdo me on “Love Shack” and the B-52s.  No matter when I do it (and I do it a lot), it’s my go-to.  And I’ve seen them in concert so many times.  I love the B-52s.

5. Do you play an instrument?
Not currently, but I did take piano lessons for twelve years, all through school, first to twelfth grade.  I can read music—it was all classical.  I took lessons again as an adult, but I still like the fact that I can look at and understand sheet music.  I’m also a tap dancer; as an adult, I tapped in shows.  I love to dance.  I was a fairly good tap dancer, but more for fun.  I would do recitals and there were kids, too… I was in adult group and [my husband] Carlin would be taking pictures and someone would say, “Do you have a child in this program?”  We did Broadway shows like 42nd Street and A Chorus Line.  We had the fishnets, heels, little outfits, and black shorts!

Photograph by Marlene Rounds